Bach Bibliography Search Result

Author : Melamed, Daniel R.
Max number of results shown : 300
Output sorted : chronologically (table)

Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Melamed, Daniel R.	The Authorship of the Motet 'Ich lasse dich nicht' (BWV Anh. 159).	JAMSoc	41	3	Autumn 1988	491-526
	2.	Melamed, Daniel R.	Problems of Chronology, Style, and Function in J. S. Bach's Motets.	[p]AMS_Baltimore			Nov 1988
	3.	Melamed, Daniel R.	Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek.	BachJb	75		1989	191-196
	4.	Melamed, Daniel Richard	J. S. Bach and the German motet.	diss.			1989	x, 333 Bl
	5.	Melamed, Daniel R.	J. S. Bach and the Altbachisches Archiv.	[p]AMS_Oakland			Nov 1990
	6.	Melamed, Daniel R.	Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek.	SommerAkadJSBach		Almanach	1990	ii: 14 - 17
	7.	Melamed, Daniel R.	Probleme zu Chronologie, Stil und Zweck der Motetten Johann Sebastian Bachs.	BeitrBachF	9-10		1991	277-284
	8.	Melamed, Daniel R.	How Did J.S. Bach Teach Vocal Composition?	[p]AMS_Pittsburgh			Nov 1992
	9.	Melamed, Daniel R.	Mehr zur Chronologie von Bachs Weimarer Kantaten.	BachJb	79		1993	213-216
	10.	Melamed, Daniel R.	J. S. Bach and the German Motet.				1995	xv, 229p
	11.	Melamed, Daniel R.	A thirty-six voice canon in the hand of C. P. E. Bach.	BachStud	2		1995	107-118
	12.	Melamed, Daniel R. (ed.)	Bach Studies 2.	BachStud	2		1995	xiv, 238p
	13.	Melamed, Daniel R.	Cantatekoren en koralen.	[ce]WereldBachCantates	1		1995	168-183
	14.	Melamed, Daniel R.	Misa Kyoku, Magnificat.	[ce]BachJiten			1996	220-224
	15.	Melamed, Daniel R.	Chor- und Choralsätze.	[ce]WeltBachKantaten	1		1996	169-184
	16.	Melamed, Daniel R.	J.F. Doles's Setting of a Picander Libretto and J.S. Bach's Teaching of Vocal Composition.	JMcol	14	4	Autumn 1996	453-474
	17.	Melamed, Daniel R.	Joh. Christoph Bach, org.	[p]ABS_California			Apr 1996
	18.	Melamed, Daniel R.	Chöre, Duette und Instrumentalstücke.	[ce]WeltBachKantaten	2		1997	201-212
	19.	Melamed, Daniel R.	Koren, duetten en instrumentale delen.	[ce]WereldBachCantates	2		1997	202-213
	20.	Melamed, Daniel R.	Choruses and Chorales.	[ce]WorldOfBachCantatas	1		1997	155-170
	21.	Melamed, Daniel R.; Marissen, Michael	An introduction to Bach Studies.				1998	xi, 189p
	22.	Melamed, Daniel R.	Bach no Kyokai Kantata ni okeru Motetto Yoshiki Gakusho.	BachZenshu	4		Oct 1998	88-96
	23.	Melamed, Daniel R.	Koren.	[ce]WereldBachCantates	3		1998	176-191
	24.	Melamed, Daniel R.; Sanders, Reginald L.	Zum Text und Kontext der 'Keiser'-Markuspassion.	BachJb	85		1999	35-50
	25.	Melamed, Daniel R.	Chorsätze.	[ce]WeltBachKantaten	3		1999	177-192
	26.	Melamed, Daniel R.	Der Text der Kantate 'Gott ist mein König' (BWV 71).	[fs]Schulze65			1999	160-172
	27.	Melamed, Daniel R.	Constructing Johann Christoph Bach (1642-1703).	MLetters	80	3	Aug 1999	345-365
	28.	Melamed, Daniel R.	Bach Revived: If Wishes Were Passions.	NYTimes			2 Apr 2000
	29.	Melamed, Daniel R.	The Text of Gott ist mein König BWV 71.	[p]ABS_Washington			Apr 2000
	30.	Melamed, Daniel R.	Bach's Leipzig performances of the Hamburg St. Mark Passion.	[p]WK_Leipzig			Jan 2000
	31.	Melamed, Daniel R.	A Tool from the Late 17th Century for Chorale Research.	AmerBachSocNL			Fall 2001	6-7
	32.	Melamed, Daniel R.	The Text of 'Gott ist mein König' BWV 71.	Bach	32	1	2001	1-16
	33.	Melamed, Daniel R.	Gassho to Koraru Gakkyoku.	[ce]BachKantataNoSekai	1		2001	271-296
	34.	Melamed, Daniel R. (ed.)	Motets / Johann Ludwig Bach.	RecentResearchMBaroq	108		2001	xix, 203p
	35.	Melamed, Daniel R.	Die alte Chorbibliothek der Kirche Divi Blasii zu Mühlhausen.	BachJb	88		2002	209-216
	36.	Melamed, Daniel R.	Gasshokyoku, Nijushokyoku, Kigakukyoku.	[ce]BachKantataNoSekai	2		2002	331-348
	37.	Melamed, Daniel R.	Gasshokyoku.	[ce]BachKantataNoSekai	3		2002	299-320
	38.	Melamed, Daniel R.	Bachs Aufführung der Hamburger Markus-Passion in den 1740er Jahren.	LeipzigerBeitrBachF	5		2002	289-308
	39.	Melamed, Daniel R.	Bach und Palestrina -- Einige praktische Probleme I.	BachJb	89		2003	221-224
	40.	Melamed, Daniel R.	The Double Chorus in J. S. Bach's St. Matthew Passion BWV 244.	JAMSoc	57	1	Spring 2004	3-50
	41.	Melamed, Daniel R.	Hearing Bach's Passions.				2005	vii, 178p
	42.	Melamed, Daniel R.	The Passions: Versions and Problems / Las pasiones: versiones y problemas.	Goldberg		34	Jun 2005	30-37
	43.	Melamed, Daniel R.	Seventeenth-Century Hamburg Passions and Their Shadows in the Eighteenth Century.	[p]CWolff_Harvard			Sep 2005
	44.	Melamed, Daniel R.	Hat Johann Sebastian Bach die Lukas-Passion BWV 246 aufgeführt?	BachJb	92		2006	161-169
	45.	Melamed, Daniel R.	Bach's St. John Passion: Can We Really Still Hear the Work--and Which One?	[ce]WorldOfBaroqueMusic			2006	235-252
	46.	Melamed, Daniel R.	Staffing J. S. Bach's St. Matthew Passion Then and Now.	Colloquium	4		Autumn 2007	145-150
	47.	Melamed, Daniel R.	Two Unusual Cues in J. S. Bach's Performing Parts.	[fs]Leaver65			2007	141-146
	48.	Melamed, Daniel R.	Bachs Schwester.	BachJb	94		2008	337-341
	49.	Melamed, Daniel R.	Counterpoint in Mozart's 'Die Entführung aus dem Serail'.	CambridgeOperaJ	20	1	2008	25-51
	50.	Melamed, Daniel R.	Choral Unison in J.S. Bach's Vocal Music.	[ce]AboutBach			2008	53-60
	51.	Melamed, Daniel R.	The Evolution of 'Und wenn die Welt voll Teufel wär' BWV 80/5.	HarvardPubM	22		2008	189-205
	52.	Melamed, Daniel R.	Johann Sebastian Bach and Barthold Heinrich Brockes.	[p]ABS_Bethlehem			May 2008
	53.	Melamed, Daniel R. (ed.)	Passion according to St. Luke (1771): based on a setting by Georg Philipp Telemann ; incorporating music by Georg Anton Benda, Gottfried Heinrich Stölzel, and Gottfried August Homilius / Carl Philipp Emanuel Bach.	CPEBachCW	4	6.1	2009	xxiii, 8, 132p
	54.	Melamed, Daniel R.	Scoring, text and genre in 'Nun ist der Herr zu Ruh gebracht' BWV 244/67.	[p]SMA_Glasgow			Apr 2009
	55.	Erickson, Raymond; Tatlow, Ruth; Melamed, Daniel R.	Bach & Friends: Three Reviews of Michael Lawrence's New Film.	BachNotesABS		13	Fall 2010	1-4
	56.	Melamed, Daniel R.	Johann Sebastian Bach and Barthold Heinrich Brockes.	BachPerspectives	8		2011	13-41
	57.	Melamed, Daniel R. (ed.)	J. S. Bach and the Oratorio Tradition.	BachPerspectives	8		2011	ix, 153p
	58.	Goldberg, Randall E.; Melamed, Daniel R. (eds.)	Passion according to St. Luke (1775) / Carl Philipp Emanuel Bach.	CPEBachCW	4	6.2	2011	xxx, 153p
	59.	Melamed, Daniel R.	Johann Sebastian Bach, Johann Gottfried Walther und die Musik von Giovanni Pierluigi da Palestrina.	BachJb	98		2012	73-93
	60.	Melamed, Daniel R.	Text, voice, and genre in 'Nun ist der Herr zur Ruh gebracht' BWV 244/67.	EastmanStudM	102		2013	111-135
	61.	Melamed, Daniel R.	Did J. S. Bach’s Listeners Analyze?	[p]BNUK_Warsaw			Jul 2013
	62.	Melamed, Daniel R.	Multi-day Passions and J.S. Bach's Christmas oratorio, BWV248.	18cM	11	2	Sep 2014	215-234
	63.	Melamed, Daniel R.	Did Bach's Listeners Analyze?	[p]ABS_Ohio			May 2014
	64.	Melamed, Daniel R.	Two Sanctus Settings by Johann Christoph Altnickol.	[p]ABS_SouthBend			Apr 2016
	65.	Melamed, Daniel R.; Parrott, Andrew; Fehleisen, Fred	Principles and potential for the development of the performance-academic discourse.	[p]BNUK_Cambridge			Jul 2017
	66.	Melamed, Daniel R.	Listening to Bach: the Mass in B minor and Christmas oratorio.				2018	xx, 149p
	67.	Melamed, Daniel R.	How Did J. S. Bach's 'Aus Liebe will mein Heiland sterben,' BWV 244/49, Get to Be So Slow?	19cM	43	1	Summer 2019	3-16